Clave Especial talks about MrBeast, summer EP 'Afterafter'


Clave Especial finally takes a break.

In the last two months, the corrido tumbado band from Salinas, California, performed at the South by Southwest Music Festival in Texas—and he made the news singing a narcocorrido; spoke with Latino students in Cornell University in upstate New York; and even embarked on an impromptu 10-hour trip to show their support for Juan, a contestant from Mexico in one of MrBeast's latest challenges who has become a viral sensation.

In fact, the trio (singer Alejandro Ahumada, guitarist Leonardo Lomeli and Tololoche Rogelio González) felt so compelled to make the pilgrimage to the North Carolina grocery store where Juan has been held hostage for months, that they abandoned all press events for their latest EP, “Afterafter,” released April 30, to meet and serenade him. The band even awarded a $5,000 scholarship to their son, Angel.

“Why? Because it felt really good,” Ahumada said. “His story connected with us, because we also come from working parents who really gave everything for us.”

When the hustle and bustle of East Coast travel passed, Clave Especial returned to Salinas to host a big welcome party. “It's like a coming full circle moment,” Ahumada said of his May 4 performance at the Salinas Sports Complex.

They joined a video call from their childhood bedrooms to talk about “Afterafter,” a five-track project with a driving beat (140 BPM to be exact) that's nostalgic for summer days and the endless after-parties they bring. The songs were selected from their vault, they said, which includes a long list of tracks that didn't make the cut for “Mija, don't be scared,” the band's critically acclaimed 2025 debut, which featured Fuerza Regida co-writers Edgardo Nuñez and Luis R Conquirez.

This interview has been edited and condensed for clarity.

What was it like performing in Salinas?

Alex: In fact, that's the second time we've been back as Clave Especial. The first show was at the Fox Theater, which was sold out. People were asking us, “Hey, when are they coming back?” We decided to do it now at the Salinas Sports Complex.

Jumping to the EP, how did “Afterafter” come about?

Alex: It was more of a fun concept we had in mind. We were actually working on an album at a writers camp in Ensenada. It was on the beach. Then we jump to Miami, Puerto Vallarta. We surprised ourselves jumping on the beaches, many parties. We want to give people a summer EP, something they can play during the summer when they're partying.

If “Mija No Te Asustes” is an album about this confident boss who makes the decisions, how would you characterize “Afterafter”?

Alex: I think he's the same guy from the first album, he's still living it up. On “Mija No Te Asustes” there are some songs like “Como Capo” that introduce that vibe to this EP, so we just continued with that vibe. It was our biggest song so far. We knew that people liked us apart from the corridos like “Rápido Soy”, “No Son Doritos”, but I think that with “Como Capo” we discovered that people like other sounds and lyrics. That's what we try to continue in “Afterafter.”

Musically, how would you describe the sound of this EP?

Lion: One thing about us, when we got into the studio, we played a lot in the 6/8 tempo, this upbeat speed. We always hit the BPM at 140 BPM: that's the essence of Clave Especial.

One of the songs that caught my attention was “Scary Movie”, because it reminded me of a “Thriller” (by Michael Jackson) inspired by a corrido. It also connects with the last album because there is a phrase where you say “Mija, don't be scared.” Tell me the backstory of that creepy song.

Alex: It's funny, because today I'm going to see the Michael Jackson movie. That song was actually written by someone from Street Mob from Ensenada. I think that song was already in the vault.

Lion: That song was adapted for [the past] album. He [ad lib] It was an Easter egg.

I saw that you were all recently in North Carolina at the grocery store where Mr. Beast is doing a challenge.. There is a Mexican father named Juan who is competing for the million dollar prize. You went to see him and you also gave your son a scholarship. Why was it important for you to appear?

Alex: We were basically in [New York] having dinner. We had some press the next day but had to cancel them. We commented on Mr. Beast's video and the comment got a lot of likes. We thought, “Oh wow, this is great, this has a real impact on the Mexican community.” His son had attacked us, thanking us for supporting his father.

We saw that Juan told his son to leave the competition because he wanted to continue going to school. I think we're one of the few bands in the industry that went to school. I have my bachelor's degree from Fresno State. It was something that really resonated with us. We had also just come off a panel at Cornell University, so it all set the tone. We saw the map. There were 10 hours left, obviously a trip, but this opportunity will never come. We are from Cali and this is on the other side of the country and we are already here. Let's show that the Mexican community is very powerful, united. Let's show some support to Juan and his son. I hope I win!

The last time we chatted was at the Rolling Stone showcase at SXSW. I didn't get a chance to talk to you afterward, during the end of their set, they sang a version of “El Del Palenque” by Los Alegres del Barranco that venerates drug kingpin El Mencho, who was murdered by Mexican forces just a few weeks earlier. Why was it important for Clave to sing that song specifically?

Alex: We just like the song. At the end of the day it's just music. It's telling stories. They are run. That's what corridos are about and that's why I entered the music scene. We just like the song. We are from Jalisco, from Michoacán. It always draws a crowd, so we did it for the people. People want to hear corridos. We've been seeing censorship, but at the end of the day I don't think that's the problem. It's much deeper than that, and music is just music, we're just telling stories, singing music, having fun on stage. I don't know if we had it on our set list or not, but I think we had played a song before that had the same keys. I thought, keep it up, let's play this one next. Nothing deep.

So it wasn't planned?

Alex:No, it wasn't. Then I thought, “Damn, I sang that.” But who cares?

Do you ever worry when you sing corridos? Or is it something you can handle being from the US, which provides a layer of protection?

Alex: There is a famous one. saying: He who owes nothing, fears nothing. At the end of the day we don't owe anyone anything. We make music, we are here because of our own sacrifice. People who know our history know it.



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