'Girls Like Girls' review: Brings back all the feelings of the first attraction
The blush of first love within the glow of a new friendship is where “Girls Like Girls” displays its quiet…
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'The Mandalorian and Grogu' review: Nostalgia is strong with this one
Nearly 50 years after “Star Wars” and the launch of a media empire (big or small “e”? You decide), fandom…
'Lee Cronin's The Mummy' review: Generic horror is best kept a secret
How is Lee Cronin? Good. You know, still making movies. This is his third feature film. Someone (maybe it was…
'Exit 8' review: Kotake Create's video game becomes a less captivating movie
“Game over” actually means “again and again”, since we always want to play again. The movie versions of video games…
A new version of Camus' 'The Stranger' written by a veteran French stylist delves into the unspoken
Director François Ozon, best known for his lighter soufflés, takes on a demanding work of literature and serves it well,…
'The AI Doc: Or How I Became an Apocaloptimist' Review: Lacks Necessary Nuance
p]:text-cms-story-body-color-text clearfix”> AI is coming. AI is here. AI is a bubble. AI is the future we want. AI is…
'Heel' Review: This Isn't Your Everyday Kidnapping Family
The movie is called “Heel” and its frenetic opening, a snapshot of young, handsome and arrogantly cruel Tommy (Anson Boon)…
'56 Days' review: the erotic thriller sometimes forgets it's a thriller
Based on a 2021 novel by Catherine Ryan Howard, “56 Days,” which premieres Wednesday on Prime Video, is billed as…
Review of 'Calle Málaga': Carmen Maura shines in a challenging and complex portrait
To grow older is to discover that your appreciation for life's everyday joys deepens, especially as more uncomfortable realities take…
'Nirvanna the Band the Show the Movie' review: an independent 'Back to the Future'
Whether you're already in or new to the party, the Canadian meta-comedy “Nirvanna the Band the Show the Movie,” about…