Deep in the arts district on Thursday night, the reflexes of a massive disco ball shone on the faces of the most creative of the city (writers, painters, fashion designers) while gathering to celebrate the people who make them vibrant. The occasion was none other than Archival Revival, an organized party to celebrate the September number of Image magazine, image manufacturers and number 14 of the Ursula magazine, Hauser & Wirth.
The Archival Revival clothing code was “Canal of another era, past or future”, and the guests took the subject by assault. Some reached the past, Slinky in the 90s, Roberto Cavalli Satin or structured in blazers with the shoulders of the 80s. Others imagined a surreal future with dazzling facial masks and abstract makeup. Held in the patio of Hauser & Wirth, the party in the industrial space converted into vines and warmth as meetings between friends deployed on the dance floor and in front of a personalized photomaton designed by Zoe-Zoe. With the help of Nike sponsors and open beer, drinks flowed and the night was full of surprises.
The galleries issued their own light, while the guests explored the joint exhibition of Henry Taylor and James Jarvaise, “sometimes a straight line has to be crooked”, an emotional tribute to the artistic tutoring and “Yo Shoy” by Luchita Holyado, a hypnotic look at the paintings and drawings of late artists.
At the tables, the copies of Ursula and the problems of the image manufacturers were established in waves, disappearing slowly as the night continued. The story of Seulgi Oh, the iconic Los Angeles photographer, Los Angeles photographer, Estevan Oriol, was photographed by Father Eriberto Oriol de Oriol. In a corner of the party, as reporter of the Times and DJ Kailyn Brown, also known as Kailyn Hype, Mixed Rihanna and Afrobeats, Eriberto was repeating history, photographing his son surrounded by friends, including Oh.
“I love to see the angels celebrated like this: all these inspiring people and embodying art, that's what the death is about,” said Oh death while looking at the party.
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Among the crowd was actor Raquel Rojas, the artist Georgina Treviño, the owner of the palace wardrobe and the manufacturer of prominent images Melody Barnett, the journalist Suzy Exposito and the artist Perry Picashoe.
The makeup of the guests varied from the harvest to the extraterrestrial. Makeup artist Selena Ruiz was behind some of the most extravagant looks, from the host of “Back in the closet”, Isaías Cabrera, also known as the white face as Blond Chyna's puppet, to the cybernetic eyeliner mask of the stylist Ronben.
The Jenn Torres model slipped through the photomaton, extravagant in a swollen housing corset and chal. Determined with a complete designer aspect that included Comme des Garçons, Cavalli, Gaultier and Versace, the attire of Torres was unbelievated catwalk drama.
“This was my first image event, so I really wanted to show myself and make tricks,” says Torres. “I have never really seen myself in the high fashion file. I grew up in the center-south, first often, so it was really difficult to get this type of pieces. Ronben designed me, and we had a beautiful conversation about fashion, about the past, about how Latinos should take space in the world of fashion. That was my inspiration.”
In the coup of the 10 pm, the energetic set of Alegr Lee came to an end when a crowd was formed near a long strip of the dance floor. The guests looked around when the stylist and author Jasmine Benjamin and the Vintage Founder of Pechuga, Johnny Valencia, took the stage and announced a surprise fashionable parade. With his energetic comment and the cheers of the crowd, the track came to life.
Stylist Bruce Ly He was memorable in his playful and stumbled walking on the track, his arms swinging on the large sleeves of his shed Brett Westfall. The model and cover of the model and lid of the stylist Lex Orozco-Cabral caused talks and a cheerful surprise while pushing the file limits. To close the show with the melodrama, the Director of Vintage Study of Pechuga, Priscilla Yael, Merodeó with a sensual black dress Vivienne Westwood Demi-Couture, Shoes Vivienne Westwood and a Kiki mask of Montparnasse, with hands tied and her eyes with her eyes bandaged in black lights.
With a loss of words, the crowd could only scream: “Hot!”
Draian Dandridge, Image Collaborator and Native of Long Beach, says the style on the track and during the night as a whole “History, memory and desire to deepen”.
“The image is the strange, the prestige, the height and minimum of this city. It is not unique, it is multifaceted, and tonight gives its flowers to that the multidimensional,” says Dandridge.
As the night was closed, conversation abounded and ideas fluttered into the fragments heard. The founder of Hood Rave, Bae Bae, was the last DJ of the night and fell explosively with electronic rhythms with a Latin touch. About music, old and new friends promised to meet again before the next party.























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(Glenjamn / for the times)
























(Calvin Alagot / Los Angeles Time)
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Annie Noelker photomaton photography
Genjamn's party photography
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