'Catching Fire' review: Stones' muse Pallenberg celebrated
The most epic era of influential rock girlfriends was surely the late '60s. When seen from a perspective that kicks…
review
European fashion giants post mixed regional performance in Q1 FY24
Europe's top fashion companies reported mixed regional results in the first quarter of 2024. Ermenegildo Zegna and Brunello Cucinelli saw…
Review of 'Evil does not exist': small town versus invasive company
“Evil Does Not Exist” is quite a title to ponder, as Ryûsuke Hamaguchi's big new film begins with a serene…
'Wildcat' Review: Ethan and Maya Hawke Do O'Connor's Story
Flannery O'Connor's thrilling, gritty stories about the unreconstructed South and its redemption-deficient discontents will never lose their power to awaken…
Review of 'The Old Oak': the great compassion of director Ken Loach
When it comes to fiercely political British director Ken Loach's latest film, “The Old Oak,” a bit of classic Hollywood…
'Blackout' review: Fessenden's werewolf movie is an intelligent horror
Charley (Alex Hurt), hard-drinking artist and traveling contractor, hasn't been much of a morning person lately. Remembering the events of…
Live from Hell, it's 'Late Night With the Devil'!
“Late Night With the Devil,” a sly, chilling film from filmmaker brothers Cameron Cairnes and Colin Cairnes, is a clever…
'Immaculata' review: Sydney Sweeney goes wild in nun horror
Drenched in blood and candlelit, Michael Mohan's “Immaculate” disabuses the notion that any conception is always sinless. Starring Sydney Sweeney…
'Knox Goes Away' review: Too placid dementia thriller
Michael Keaton doesn't have to prove anything as a movie star, accomplished actor and person who makes people laugh. His…
Review: 'The American Society of Magical Negroes' is too timid to strike satirical blows
Written and directed by Kobi Libii, the comedy aspires to a riff similar to Hogwarts: a secret club of blacks…