'Green Border' Review: An Unvarnished Look at the Migration Crisis
The unfortunate souls who inhabit Polish director Agnieszka Holland's “Green Border” have little light in their eyes. A grim drama…
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'The Bear' Season 3 Review: It Moves Like Beautifully Arranged Music
To understate the case a bit, the new third season of FX's “The Bear,” which returns Wednesday on Hulu, is…
Ewan McGregor would not spare years. But maybe that mustache
Ewan McGregor talks about “A Knight in Moscow”, “Star Wars”, what's in the works and how to play the bagpipes.…
How Leo Woodall is holding his own after 'One Day'
“I haven't seen this one specifically,” Leo Woodall says with a sheepish smile, which has made many hearts race since…
What drew writer-director Steven Zaillian to 'Ripley'
Steven Zaillian's choice about what he chooses to write about comes down to two simple questions, as he explains: “Is…
The paralyzing style in the spaces, the clothes and the lighting create the art of 'Ripley'
From the palpable isolation of a seedy New York apartment to the grim charms of old Italian streets, 'Ripley' is…
We talk to Bloofy and Pouchy, stars of 'Inside Out 2'
Achieving the biggest opening of the year so far with a monumental domestic gross of $154.2 million, Pixar's “Inside Out…
'Kinds of Kindness' Review: Forced Weirdness by Lanthimos
What disturbs the master of shock Yorgos Lanthimos? General respect. The provocateur's last two films, “Poor Things” and “The Favorite,”…
Callum Turner on the 'living hell' that 'Masters of the Air' represents
With a staggering 77% loss rate, “The Bloody 100th” bomb group required 25 missions from its crew members before they…
'Orphan Black: Echoes' is not intended to be a clone, says creator
Among the fun memories she had as a first-time showrunner, Anna Fishko counts learning the details of what it takes…