Paris fashion week lights up with bold tones from Issey Miyake, be they sound, bluemarble and Amiri

A renewed sense of vitality pressed through the male clothing collections on day three of the Paris fashion week for spring/summer 2026. In contrast to the faint tones that have dominated the recent seasons, often reflecting the uncertain climate of the world, color made a surprising return. The designers hugged the delicate and spring tones and the intrepid, high -impact tones, indicating a change towards optimism on the track. Nowhere was this bold resurgence more evident than in Issey Miyake, be they sound, bluemarble and Amiri.

In Issey Miyake, innovation fulfilled the performance in a showcase that placed fabric and movement at the forefront. The IM Men collection, entitled “Dance Texture”, debuted in the fondation cartier of fondation, where colossal textile panels that represent abstract landscapes floated on a live presentation. The dancers moved fluently under them, dressed in garments inspired by samurai that gave life to the sculptural qualities of the designs.

The color and texture took the front, expressed through inventive techniques. Yuki Itakura's design trio, Sen Kawahara and Nobutaka Kobayashi was inspired by Japanese ceramist Shoji Kamoda. Their rounded motifs of scale echoed through costumes, robes, kimono jackets and draped gabardines in a animated color palette.

In other places, the collection explored the mate bermellón contrast against wavy target, inspired by Kamoda's jars, or adopted the appearance of the ceramics glazed by ashes. The textures were deepened, from descended gray denim assembly to undulating leggings and emerald green satin pants.

As always, the label showed a masterful sense of color harmony. The vivid and cake tones were placed in layers of delicacy effortlessly, such as a waterproof grass that is used on a bright red jacket and electric blue pants, or a lilac cotton suit combined with a mandarin neck shirt in Lima.

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In whether they sound, subtle bursts of color brought freshness to a closet of neutral tones. The yellow and golden olive -colored sweaters were placed in layers on blue and sky -colored blue shirts, combined with fluid or bermuda pants. A pale pink ditch was thrown on an ice blue point and a wise green shirt, creating a dream palette.

The Chinese designer imagined a misty summer afternoon: a student hunched over his desk in a law library, specifically, the historic Library of Cujas Law, reused as the place of the show, which leads to Reverie. These dreams materialized as silhouettes that erased times, styles and fabrics. Drapeated wraps that remember antiquity were used on modern shorts, combining fantasy and desirability.

Classic costumes in light wool or worn leather were reinterpreted through surrealist details: pants cut to jackets, shirt necklaces with old coins buttons, sleeves without sleeves adorned at chest height with the same coins, sleeve scarves that crawl to the ground and socks tied to the tape that evoke the opulence of the time of Louis XIV.

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In Bluemarble, the color reached an explosive crescendo. The roaring tigers were woven in red sweaters, the highlighting yellow pants collided playfully with large green coats lined in camouflage, and Caffe -style robe were covered with travel pins, represented in vibrant orange and multicolored versions.

This season, the designer Anthony Alvarez sought inspiration in his childhood in Toulon, remembering the trips for Mont Faron in a cable car. These nostalgic images (sugary skies, snowy peaks, steel cables) were translated into impressions in denim pieces, while the models walked through a dispersed fog track with leaves and cortex.

The collection leaned into the essence of bluemarble street clothing with a more focused and grounded approach: jeans, hoods, bombers and more focused knitwear, all accentuated with bright ornaments. The sequin mosaics lit white t -shirts, the diamond diamond diamond diamond diamond diamonds rose pants and burst into shirts, and metal studs with discreet lumberjack frames. Polities with climbing ropes, continuing with the theme of mountaineering with a youth turn.

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Amiri transported to his audience a romantic environment of stories books, presenting his collection in a classic French garden adorned with fountains, gravel trails and coils covered with roses. Spring developed in full flowering, both figuratively and literally, as cherry flowers stretched on the shoulders, dragged the jackets and spilled over the cardigans. An outstanding tapestry bomber was completely saturated in florals, blurring the line between the garment and the garden.

The exclusive dandies of the American label remained as soft as ever, with old hotel room keys hanging from loops and waista flasses, and sunglasses of the 70s completing the look. The vests sank dramatically, the jackets lengthened with exaggerated flaps and the leather pieces were so soft that they imitated the brightness of the satin.

The models went with confidence in three -piece costumes, either in light wool with stripes or checks of Prince of Wales, or in lush velvet. The tailoring was perfectly fluid, and rich ornaments, satine flaps, embroidered motifs, the sets issued. Pajamas sets combined with luxurious silk tunics, and sparkling poles added style. Among the safari jackets with cigarette pockets and pieces with lace laces, these modern dandies had no shortage of elegant options.