Almost last, but most likely better, Miuccia Prada presented her latest collection for Miu Miu, a multi -decades meeting, multiple pronouns and a really wonderful fashion on Tuesday, the last day of the Paris Fashion Week.
For a year that has begun with shameless attacks of the Trump administration about the diversity in any way, it was particularly admirable to witness the cast of Miuccia, so obviously diverse in their sexual preferences. To this was added a sense of primary liberation in this program, with its super followed women, manifest sensuality and unexpected clothing.
The bold idea of the designer's opening was to use a thick military style felt wool in layers of generals or skirt costumes of the city, where the only thing evident was a bra. Cut to sit in the torso, with seams and darts in bold in the back, causing everything to seem super, easily identifiable elegant for those who know it.
In a little play, the tailoring was combined with adolescence cotton socks or black socks covered with crystals and strands. Miuccia, who personally loves fine jewels, finished all models in pointed gold earrings and large floral brooches.


Weaving disparate times, Miu Miu suddenly became cinematographic: the fatal femme of Hitchcock with knowledge of David Lynch. Revised and printed skirts combined with bulk boots and tight sweaters: each of the stories completed with made lacquered hair and glasses sensual secretary. A wink to miss Moneypenny, but through the lens of Miu Miu in Paris, in a miuccia collection entitled “feminities.”

Signora Prada never does anything in half of the measures, and in a season in which the fur has reconquered the tracks, he sent all kinds of frequent potatoes (Fox, Wolf and Mink, he sold out as scarves and cuts with hand calculation pockets.
Crossing the edges with footwear, most of their girls wore burnished leather moccasins, along with the coolest leather blazers with poise.
Miuccia always loves to mix his cast of Miu Miu. This season, he selected actress Sarah Paulson, from fame “The People V. Oj Simpson”; Partners Bespians Raffey Cassidy, Laura Harrier, Oscar Lesage and Sunday Rose Kidman Urban; French hipster increasingly hipster Lou Doillon; artist Isabelle Albuquerque; Amelia Gray, daughter of Perseus; and rapper Nettspend. Talk about eclectic.
Before going at night, first came some sharp leather looks. The show ended with played girls: sliding dresses or silk dresses outside the shoulder with branches always on display. Fire lucing within the 1930s Palais d'Eéna, made with yellow silk jacquard paper.

Backed by an excellent film soundtrack driven by organs, climax with “Day off” of Teho and Romain García. End effectively the truly influential shows in the contemporary way.
A successful successful Bona Fide Homss-Run show, loaded with bases. If Miuccia Prada were a footballer, she would have won the Golden Ball again for Miu Miu. At least, he received the most enthusiastic applause of four weeks of parades. That is a true respect.
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