While the shows in Cercle person over the years have required fans to go up to a plane and travel to historical and remote destinations such as Sisteron's citadel in France, Barbolla wanted Cercle Odyssey to be more accessible to fans. “We wanted to bring nature to the city,” he says.
It was also a barbolla goal to make mass production as sustainable as possible, so it used projected screens instead of lead screens. In that way, your team only has to travel with the canvases made as they use for the projections, which “is very small” and can be folded. For everything else, the Cercle team rents the sound, light and camera equipment and hires local teams to work in each city, which makes the project cheaper and ecological.
For now, Cercle Odyssey Tour, which began in Mexico City last month, will extend in Paris on June 1, but Barbolla says he wants to expand it and take it to more cities in the near future. It is also a dream to give the installation of art that created other creators and artists, so that they can also add their interpretation.
“The possibilities are endless,” he says. “Us [maybe] He explored 1% of what we could do in this room. “
