Cannes 2024: Big changes and faceplants eclipse real life
CANNES, France— “Is it too real for you?” growls Gang of Four-like punk band Fontaines DC over a twangy bassline…
movie
'Ungentlemanly Warfare' review: birth of British covert operations
Guy Ritchie's latest work, the clumsily titled “The War Office Ungentlemanly,” is both his “Inglourious Basterds” and his “Dunkirk.” With…
'Babes' review: Ilana Glazer's pregnancy comedy is hilarious
Someone needs to explain to me why Pamela Adlon's “Babes” opens this weekend. after Mother's Day. If ever a movie…
Dabney Coleman, the bad boss of '9 to 5', dies at 92
Dabney Coleman, the beloved actor who played the famous scoundrel who supervised Jane Fonda, Lily Tomlin and Dolly Parton in…
'IF' review: Movie about imaginary friends can't sell premise
There's an existential question at the heart of the new semi-animated children's film “IF,” from “A Quiet Place” director John…
Cannes: Francis Ford Coppola on updating 'Megalopolis' and 'The Godfather'
CANNES, France— Faced with the criticism, controversy and uncertain financial prospects swirling around his self-financed speculative epic “Megalopolis,” Francis Ford…
Francis Ford Coppola returns with the strange and juicy 'Megalopolis'
CANNES, France— It was here in Cannes, 45 years ago, where Francis Ford Coppola finally emerged from his desert of…
'The Strangers – Chapter 1' review: The sequel is not worth it
“The Strangers – Chapter 1” is the third film in an ongoing franchise, following the surprise success of 2008’s “The…
'We Grown Now' review: resisting in the Chicago projects
A close-knit Chicago family, with few resources and faltering dreams, struggles with their sense of home in writer-director Minhal Baig's…
Cannes: 'Furiosa' forgets what makes the 'Mad Max' films great
CANNES, France— When Australian George Miller came here in 2016 to serve as jury president, just months after his “Mad…