Post Malone debuts the Austin Post Fashion collection in Lagerfeld Mansion with Rancho Deluxe

The American Rocker Post Malone presented his debut fashion collection entitled “Austin Post in Paris” on Monday, and although his music suggests that the Poetic Metalcore hip-hop, his location of the show was the old Karl Lagerfeld mansion.

Indeed, the rocker born in the state of New York and the rocker born in Texas stole ten days of march in the international season of the track, from the first official exhibition of official catwalk of the next spring-summer season begins on September 10. Those four weeks of shows begin in New York with Ralph Lauren.

Talk about Chutzpah and more power to publish Malone for having in swords. Or we should say 'spurs', since several of their cast wore metal spurs Billy-The-The-The-Kid with their ostrich leather cowboy boots.

A pedantic, and there is a strange one in Paris, I could argue that there was no “degree of Deuxième” – French jargon to bring something to a new place. However, this collection felt real, and even if it refers to “Yellowstone” and “1883”, it still felt very fresh.

Malone is one of those Americans who absorb life in great drinks. Currently, most people in Paris are horrified by the constant decline to authoritarianism under Trump. But Post Malone reminded us of the kinetic force of America's dream. His multifaceted music is a mashup and a mixture of metalcore, hip hop, hard rock, trap and country. Even if his fashion focuses singularly on the western team of the hip set. And to light years of Karl Lagerfeld.

When asked about the dichotomy, he replied: “Multifaceted, that is generous, very generous … but (the collection) is what I carry.

Taylor Swift fans will be familiar with Malone of their “Farm” duo, where the Gothic dresses of the “Wuthering Heights” country dresses are put, and was dressed in Eduardian black. First he had an impact in 2015 with “White Iiverson”, a rest video, which refers to the famous Basketball player Allen Iiverson. Where the post paraded with a large black or white shirt, tight jeans and compraised jordan stops. While the boys spent a Ranger White or Rolls Royce.

There was nothing of those looks in this program. Instead, he focused on jeans with a ranch hand; work clothes coats; denim jackets with star edges; pictures; Leather jackets with fringes used with hoodiers; Suede cattle baron. His cast: a mixture of great Parisians and jeans in good faith with ten -gallon hats or trucker caps of Dallas Cowboys. His modern marshal climbing the show with a huge buffalo coat: the Many Wildcatter Chic pan.

Post Malone plans to open an emerging window in New York at the end of this month, although when he is pressed where a consumer could buy his clothes, he dead “that is a good question.”

Aided and driven by a soundtrack that included a guitar alone Neil Young and “Serengeti Echoes” by Theo Parrish, the show and the garden had a lot of energy. Nothing original, but very great and intelligently designed by the local hero, Dan Sablon.

Before the show arrived at the climax with a magnificent French tan horse, finished with western leather and bridal armchairs, making a proud reverence inside the mansion on the royal track, which Karl surely loved, as the audience did. Listing the strident applause when post brought his bow, from the head to the blue denim, dissected by a thick cowboy buckle, his silver teeth caught the lighting.

“I love this city of F … we think why not bring the light of the outbreak and the mischief to Paris … When we saw this place, it was so beautiful. We loved Karl and we were honored that they have us here,” Post said.

Eat your heart, Kevin Costner.