Published
January 18, 2025
Milan's men's fashion season kicked off on Friday with Federico Cina and a genuine fashion event inside the Fondazione Sozzani on the northern edge of the Italian fashion capital.
Held on a cold but sunny winter afternoon, the presentation looked more like an art installation by Marina Abramović than a clothing exhibition.
It seemed an ideal setting for the collection, made from dense, almost industrial wools and cut with authority by Cina, a distinctive new designer born in Bologna.
Models/characters that represent daily mini rituals inside plywood boxes, or small scenarios that give the clothes a certain elegant seriousness.
A gentleman-rocker figure in a perfectly tailored midnight blue jacket stood in the middle of a circle of eight microphones, occasionally sliding over to one of them to say just one solemn word.
While a hirsute young man dressed in white denim overalls was sitting in a corner peeling a hundred oranges painted white. Nearby, a professional girl dressed in a backless, pleated scarf dress paraded endlessly around an office chair in a white skim. In a sense, trapped as an extra in Orson Welles' “The Trial”; in another, a proud woman who goes about her business with precision and pride.
Federico named the collection “Assunta and Giacomo”, in honor of his two grandparents who passed away last year.
“It's a fashion memory, remembering how they dressed for work, special occasions or family events,” Cina explained.
A collection of great poise and a clever introduction to the growing Fondazione Sozzani, where founder Carla and her daughter Sara Maino, Europe's best young fashion talent digger, are turning a former ceramics factory into an attractive cultural magnet.
Dozens of young hipsters crowded around the event. Milan, once the economic and industrial heart of Italy's post-war renaissance, is today the new Eldorado of design innovation. Where European youth arrive en masse to discover themselves and suggest a new vision of their roots.
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