The American designer Marc Jacobs revealed on Monday his latest women's collection, once again out of time, for the autumn season 2025, with the New York designer looking for silhouettes and doll details.
Upon returning to the New York Public Library, Jacobs's election scenario for his Spring 2025 collection in February, the last offer of the New York designer was a scored alignment of only 19 looks, a soundtrack of “Song for Jesse” by Nick Cave and Warren Ellis.
“Beauty. A QUALITY OR COMBINATION OF QUALITIES THAT Gives Pleasure To The Mind Or Sensae and Is Often Associated With Properties Such As Harmony of Form Or Color, Proportion, and Authenticity,” Read the Concise Show Notes, Leaving The Rest Up To The Discerning Eye of Guests, which Julia Fox, Nicky Hilton, Ego Nwodim, Anna Sui, Jessica Wang, Tina Leung, June Ambrose, and Fashion Matriarch, Anna Wintour.
The recruitment model reflects Alex Consani, Sascha Alexandra and Agel Akol, Jacobs sent a capricious and capricious collection of exaggerated proportions, which was felt as a continuation of his girls with a doll face seen last season.
But, instead of cartoons, its reference was the nineteenth century, composed of vampire dresses inspired by Victorians, cut with mutton's leg sleeves, inflated busts and trains swept with huge arches.
It is not one to appropriate a historic fashion era, the designer mixed baggy cargo pants and truly large pants, set to adapt to the model while walking, as well as a wavy blouse and a dress of very trend, taking his wife to the 21st century.
Most of the dresses had lace or microfloral footprints, through a colored palette that went from purple lilac to brown and black coffee in black, each model that comes out on Jacobs's feet start heels, which adds to this childhood quality of dressing a doll.
The last two dresses saw Jacobs enter Vampy Victorian Overdrive; An appearance of a leg sleeve dress from Mutton's black leg on violet with deep flyers and a huge head arc. Only to be overcome by the final dress, which had even larger sleeves and a top -to -play upper part with a giant matching arc; The black lace fell from the opening of the skirt with flyers and undulating.
The flashing show and I-Perder lasted only five minutes. But, as always, it was a moving expression of one of the most incredible creative minds of fashion, at a time when fashion originality is few and distant.
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