Milan's male clothes may have lost a few important shows on the track, but the Italian fashion capital was still full of dynamic presentations this weekend: Ralph Lauren, Brioni, Corneliani and the Church.
Ralph Lauren: Class Cocktails, Náutic
The first prize for the softer presentation and the cocktails, in Milan, goes to Ralph Lauren, from the entrance to the patio to the drinks to the collection.
Ralph's famous Steel Bugatti 35 greeted the guests to his elegant space in Milan, a rationalist style mansion of the 1930s. One could fly in adequate soft drinks, from a sunset to a spicy margarita, before checking the last clothes.
Mainly exhibited in the patio of the columnia, a score of Lothario models were exhibited posing in the center. The space was renewed with 40 -foot high Ecru curtains and palm trees to add a tropical touch.
For autumn, Ralph showed textured blazers, soft tissues and rich mixtures of silk and linen. Luxury discreet with intelligent functional details and modern and relaxed tailoring. Lauren wants his gentlemen in a creamy color palette (Ecru, Beige, Caramelo or Light, this fall, ideally in appearance anchored by leather woven sandals.
“For the spring of 2026, our expedition to the most beautiful textiles in the world nods with today's traveler … This collection is the quintessence of the timeless style, where crafts meet a passion for adventure,” Ralph explained in his program.
While inside his baronial -style lounge, Lauren played with maritime elegance with linen and cotton cotton blazers of double chest admiros and cable sweaters of fresh crew accessories with blue and white striped fabrics. The classic details of espadrilles and chrome reflected a happy maritime inheritance and luxury craft meeting.
Brioni: this is as light as it is put
A moment of grace, and extreme lightness, in Brioni, which was presented within a recently restored palazzo that once belonged to the famous Casati clan, whose Maria Luisa Casati – Artist Muse and Style Icon – inspired one of the best shows of John Galliano for Dior in 1998.
At a time when men's clothes become lighter and lighter, no brand creates clothes apparently ingraps like Brioni. While the models walked through the charming patio smeared with thin silk suits of whispers in prusian gray tones, sienna red or oxide, which is surprisingly more in the tone.
Although the largest news hung from the farmers placed in a gallery of Renaissance marble, as a remarkable black tape composed of horizontal black seda ribbons of the inch wide by hand to create a unique new iridescence.
“I think it is important to remind people how skilled people are our artisans. This jacket took 14 days to create,” said Brioni's designer Norbert Stumpfl.
In addition to that, there was a perfectly cut shack collar collar collar, which came with a slightly diffuse finish. Once again, an innovative effect was created by adding enzymes to reduce brightness. Both jackets looked very appropriate on both sides of a statue of a distinguished cardinal.
Even more distinctive: a final beige tuxedo embroidered in real gold thread with small designs of the famous Brioni plant in the Abruzzi region: Cape Canaveral of the seam of men.
Corneliani: Casual Sastrería Rules
A well -thought male clothing brand that is always a good guide of what men will wear in six months is Corneliani, which organized an exhibition of spring clothing 2026 in mini models in mini shows within a cobbled patio of a palazzo, backed by several musicians, from a class pianist to a bluesman on the guitar.
The great message here was to lighten and avoid layers, a series of intelligent lessons on how to wear a suit and never seem tense.
“We all need a new contemporary way of using tailoring,” explained the Gaudioso Setefano designer Section, aiming at a very fine super light wool suit in a caramel tone, combined with a gray flawl shirt below. Both are devoid of flaps and necklaces.
Stefano's main weapons are wool, cotton and mohair. There was also a lot of intelligent fabric innovation, such as excellent knitted shirts or the cake of the neck surgeon with bands that are used with cutting safari jackets gently.
The message is: lighten modern luxury.
Church: Shanghai's gesture
Easily, the most elegant accessories exhibition in Milan this weekend was in the church, which welcomed people to the Piccolo Theater Studio Melato, a avant -garde brick theater with very high tubular galleries.
Pride of Place went to a 1929 Shanghai model, first acquired in Cincinnati and donated to the brand by the son of a grateful customer. Designed as a house halfway between a blurred golf shoe and a brogue, the Shanghai No. 1 originally protected in a Perspex box, even had the cutting plants of the church logo. A look that helped inspire a large selection of diabolically aging versions of the Shanghai for today.
The key to any large pair of churches is the brand factory in Northampton, the United Kingdom shoes manufacturing capital. Recently renewed, the plant is also the source of new shoes made in unique leather pieces, where the wings pattern is engraved by lasers.
Few shoe marks anywhere can provide the patina of a couple of churches, a fact underlined by two knights that finish the classic hands on the theater stage. One cut off the side with small sharp knives and sandpaper; The other French Polish applied and Saphir mirror shine.
He asked how it is better to shine a large pair of shoes, one gently explained:
“Actually, it is better to wear old white t -shirts that have been washed many times. The roughness and impurity have disappeared, and you get a great final.”
THE PERFECT PATTINA IN THE PICCOLO PERFECT MELACK THEATER STUDY. It is good to learn something useful every day.
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