Finally, but never less, Giorgio Armani closed Milan's fashion week with two Sunday morning shows, organized in a set designed as the most elegant of nightclubs.
It is not surprising that the star of the collection was the night clothes, which reached a crescendo with a dozen notable silver looks: floating glass networks in columns, thin layers and veiled dresses.
Giorgio Armani, however, opened with day clothes, presenting an impressive series of pants: Harem, Palazzo, Dhoti and Jodhpurs renewed) Blazers unemployed in Zigzag or his exclusive Demi-Envuelta blouse. He also played with Ikats, incorporating the pattern in bomber jackets, using it as a unique element in others and even applying it to suede booties.
His choice of head of the head spoke volumes: Nehru Taps, Balinés Skullcaps musician, Javanese Blanghon, Thai Khian Hua and Caps of Singapureninos Mandarin. Eclectic but intelligently refined, each folk design rose to an element of true elegance.
For the night, the mood became hyperfrado, with a blue silk pants suit of one half of the night that embodies perfection. The model that used it radiant of pride.
What remains remarkable about Armani is its unwavering commitment to its own DNA, especially evident in this collection, which encapsulated all its exclusive elements: classical proportions, ingenious draped, feathers of feathers, various Asian influences and a palette of distinctive colors.
For the next fall, he has established the tone with earthly tones and chorded with the South Sun, transitioning without problems in Ikat Indochinos and concluding with a triumphant end of the glamor of Silver Hollywood.
Giorgio Armani has always prevented studies to chase fashion fashions, sometimes, to the point of stubbornness. This season, however, it was synchronized with the greatest trend in Milan, treating sheep skin as exotic fur, it looked in its pale gray pony leather jerkins and plates with brown ornaments on the same fabric. Both were exceptional, as well as the coat with a Prussian gray hood of simulated mink.
Above all, this collection was about Armani once again, intermingling its inspirations, reflected in the beautifully changing soundtrack, which presented the rightly entitled “interruption” by inadequate.
It is not surprising that Armani has received another standing ovation, taking a slow and measured walk, arm in the arm, with two models. A true Dersu Uzala of Italian fashion, is still the most famous designer in the country, at 90 and still strong.
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