Study the garment in two and three dimensions, including the Kimono jacket, echoing Monsieur Dior, who created the Diorpaletot and Diorcoat for the autumn-winter of 1957, designed to be used on a kimono while respecting its shape. Then, in the continuous interaction of inspirations and references that define fashion, an album that evokes a trip to Japan, where Marc Bohan's Dior models were presented in Tokyo in 1971, proposes a dialogue with spell characters from Japanese theater.
This imaginary cartography also includes the Love Fashion Exhibition: In Search of Myself, which Dior Women's Lines visited in Kyoto. This convincing Odyssey faces two different fashion cultures to convey the unique attitude of the bodies and the complexity of the emotions that infuse them through the cut of garments, exploring the fundamental issues of the body, identity and desire.
For Dior Autumn 2025, Maria Grazia Chiuri explores cultural clothing through a dialogue between French and Japanese traditions. Inspired by the historical designs of Kimono and Dior, combines theatrical elements, exhibitions of Kyoto and Marc Bohan's legacy. The collection presents enveloping coats, silk fabrics, floral prints and golden embroidery, reflecting identity, emotion and desire.
This results in jackets and coats with generous and enveloping lines, sometimes tapes. The garments become precious objects through their silk fabric and the sketch of a Japanese garden that accompanies the silhouette. Wide pants and long skirts undula with each step and movement.
This is a metamorphic collection, where black remains intense, deep; where the captivating narrative of the floral patterns becomes an impression itself; and where the embedding of golden embroidery expresses the wonderful desire that always flows through fashion and its creators.
Note: The holder, the ideas and the image of this press release may have been refined by Fiber2Fashion staff; The rest of the content remains unchanged.
Fiber2Fashion News Desk (RM)
