Chanel started the international cruise season with an elegantly staged show on Tuesday night in Villa d'A this that was a revealing expression of the old love of the founder Coco by the Italian Peninsula.
Making specific reference to Coconut's great friendship with the filmmaker Luchino Visconti, whose noble family once owned Villa Erba next door. While a unifying theme in the program was the famous star of Visconti films, Romy Schneider, with several models made with the burning style of the Austrian actress.
For the final appearance, a column of white -tailed white satén, the model's haircut imitated Schneider's disorderly shirt in the anthology of the “Boccaccio '70” comedy, where, directed by Visconti, he played a house home whose aristocratic husband deceives her, which leads Roman to demand the successful payment of his wife for sex.
Chanel dressed Schneider in that film, and this collection presented updated references to the rose blouse Cloqué and blue blue, golden dresses and silver lingerie that Coco created for Boccaccio '70.
Cinema Glamorian Al'italiano throughout a show where Keira Knightley, Anna Mouglalis, Lupita Nyong'o, Margaret Qualley, Caroline de Maigret, Anamaria Vartolomei and Carlottta Gamba sat in the front row. The stars were commissioned around the metal tables, as well as Sofia Coppola, a former intern and friend of the house for a long time, who directed a fresh advance where the Ida Heiner model walks through the marble ladder or sunny terraces of legendary hotels in shorts or swimsuits.
This 2025 cruise collection will be the penultimate created by the Hyper Professional Design Study of Chanel, which will also handle the next haute couture collection of the house in July in Paris. As reported, Chanel called Matthieu Blazy to be his new creative director. The former Bottega Veneta designer began working at home in early April and will organize his debut collection for Chanel in October in Paris.
Presented in Sunset outside Villa d'Esta, a 16th -century palace built for a Renaissance cardinal, the collection was also an ingenious sample of an ecosystem of high quality Italian factories that supply Chanel, three of them based on how. Like the classic two-tone chanel, or the Natty Piramid-Tell mules finished with small golden double “CC” logos that were made by Roweda in Parabiago. Roweda, one of the first Italian resources acquired by Chanel in 2000, Roweda today has 380 men and women qualified as artisanal boots and shoemakers.
Backed by the last great soundtrack of Michel Gaubert by Sound Michel, combining remixes of Electro Samba tracks for people like Dean Martin or Michael Jackson, the cast wandered between a 400 editors, 400 editors, Bespians and Vís, in two shows: Noon and then 6p.m.
Opening with a white peel quintet, the Glamor femme fatale of the 50s with dresses of dresses, metal cocktails or mini blazers of point. Classic, although certainly shorter, and the most heartbreaking wool wool suits seemed splendid, again locally obtained. Of Vimar 1991, famous for its creation of specialized threads and brilliant Bouclé materials that incorporate leather, Kashmir, paper and even feathers.
Other passages starred excellent metallic leather clothing, or suede cocktails perfectly cut with synthetic flow fry pockets trimmed in stress. Many looks accumulated by beautifully printed mounts of Mantero, probably the most famous silk manufacturer of how, in which Chanel recently announced that he had acquired a 35%participation.
Following social networks, regrets on Chanel prices last year, this was the way to remember informed fans and eyes trained by the unique quality of their products.
Pre Post-show, cormorants, seagulls and evil ducks flew, when Lago di as he returned to his quiet night silence, before a local DJ began to turn and the models threw themselves to the dance floor.
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