Who said you can't wear white after Labor Day? Not even Brunello Cucinelli, who showed a tempting selection of pantsuits, corduroy coats and ribbed turtlenecks in the same color for autumn. In fact, the palette in general was distinctive, surprising for its wide range of beige and gray tones with mélange tones that enrich an iris-violet tone, for example.
Color research was reflected in Cucinelli's experimentation with new blends of fabrics and textures, as chevron and diagonal motifs added depth to the designs, also seen in soft suede or shearling with mélange effects.
His belief is that men now want to wear “elegant and refined clothing that lasts over time, but the key is how the garments, shapes and colors combine.”
This vision was translated into his fall collection, designed in his Milan showroom in an unmistakable and quintessentially Cucinelli way. That said, the collection was called “A Call of the Free Soul” as the goal is to allow men the freedom to diversify looks depending on the occasion and mood, and there was plenty to choose from.
The lineup had an '80s feel, but updated with a lightweight, comfortable and more modern fit, as seen in the pinstripe double-breasted suits. The dad cardigans with geometric patterns were worn over shirts and ties and the coats were longer, in line with the trend observed in Milan.
A delicate paisley print adorned the shirts and corduroy pantsuits contributed to the laid-back, laid-back vibe. Although the shoulders were more pronounced and the coats a little more structured than in the past, with a retro feel, their weight was still light and enveloping.
New metal buttons enhanced the traditional peacoat, an icon of men's fashion.
Corduroy suits with Prince of Wales or paisley motifs were essential for the evening.
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