An appropriate pompeying game of Fausto Puglisi

A volcanic red roof and a volcanic collection of clothing, images and ideas by courtesy of Fausto Puglisi in his latest collection inspired by Pompeii for Roberto Cavalli's house.

Once on a simulated lava track in a show space in southern Milan on Thursday night, and used by a cast that clearly loved the elegant high -octane puglisi dreamed.

Where the key to the collection were sensational impressions, absolutely synchronize with the DNA of this great brand. Especially the mixture composed of interior images of the decimated Roman city seen in flamenco dresses, or Greece Greece mosaics and symbols in black and white Greece used in pants and bombers jacket suits. Fausto's accessories also remember Roman jewels with snake handle bags.

“Actually, I photographed those lava photos on the Etna mountain, when I visited for the last time,” he laughed between Puglisi's teeth, who then included the molten lava images that flowed through the Sicilian volcanic volcanic in Va-Va-Voom dresses, super sexy cocktails and rolling tops. A lovely hand blow, like the volcano on Pompeii is Vesuvio, which completely buried the city in 79 AD an eruption of pumice and washing.

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A lot of a night collection, which includes sliding dresses in finished lava designs of Silk and Velvet Moiré Negligees. In another smart stratagema, Fausto used the architectural patterns of negligence looks, dissected by the OBI belts.

Although Puglisi did not forget to include some of the Big caties of cats of founder Roberto and the scissors of the goddess of rock printed to resemble Cheetah.

A bold dynamic statement, in a bold dramatic show, where music began with the sounds of the solemn electronic cathedral, and ended with the hymn of Jaydee “plastic dreams.”

Once a great knight spinner meant a year of tour of the nineteenth century. Today, with Fausto, it means absorbing the beauty and splendor of Pompeii and recruiting it for the future.

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As a result, Vesuvio lava was reinvented with velvet devour dresses, baggy denim pants and in a ditch, trimmed with false skin in an exclusive leopard reason. Lavas stones used as buttons on outer clothing and jackets.

While Pompeya's frescoes became impressions in suits, soft shirts and pants. All this, surprisingly, sifted through a design blender that included Adrian elements, and the 1920s, Hollywood, designed the wide silhouettes of God of God.

Then, keep in mind that they are talking about restricting the number of tourists daily to Pompeya. But there are few limits to the success of this collection, the best of Faust for Cavalli.