How to design a space that blends seamlessly with its surroundings


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YoLocated on Portland, a small island off the coast of Dorset, The Clifftops is a collection of five idyllic holiday homes available to rent through holiday villa specialist Oliver's Travels.

Located within the grounds of the Pennsylvania Castle Estate and perched on the edge of a rugged cliff, these waterfront properties were designed by architects Morrow and Lorraine to blend in with the surrounding landscape.

The idyllic cottages nestled in the Portland stone cliffs

The idyllic cottages nestled in the Portland stone cliffs (Oliver's Travels)

The interiors are clad in locally sourced Albion stone and ancient fossils, for which the Jurassic Coast is famous, can be seen on the walls and floors. Large windows link the indoors and out, encouraging relaxed contemplation of the coastal view. This is just one excellent example of homes that blend seamlessly with their surroundings.

Relaxed contemplation is built into The Clifftops

Relaxed contemplation is built into The Clifftops (Oliver's Travels)

“Careful renovation and thoughtful interior design, carried out in collaboration with local craftsmen and using local materials, are key to creating unforgettable spaces,” explains Kyra Millar, Product Knowledge Manager at Oliver's Travels. “This approach offers residents and visitors an authentic taste of a region's natural beauty and cultural richness.”

Complete renovation of a family home in Surrey Hills by Laura Hammett

Complete renovation of a family home in Surrey Hills by Laura Hammett (Laura Hammett)

Many renowned designers agree with this idea and stress the importance of creating homes that are in harmony with their surroundings. In this article, they offer tips on how to dissolve the border between the outside and the inside, thereby satisfying our eternal longing for contact with flora and fauna.

Matthew Williamson says colors aren't just decorative: they anchor the space.

Matthew Williamson says colors aren't just decorative: they anchor the space. (Iaia Cocoi)

Interior designer Matthew Williamson begins by saying: “When I design a home, I always start by immersing myself in the place. The key is to understand where we are in the world and allow that to shape the narrative.”

In the guest bathroom of her Mallorca home, for example, she was inspired by the nearby beach. “The wallpaper is adorned with painted shells, as a nod to the sea just beyond the walls. By incorporating elements that reflect the surroundings, the house becomes an extension of its surroundings,” says Williamson.

She tells me that color is an essential tool in achieving this and advises: “Always keep in mind the natural palette surrounding the space: in my own home, I have decorated with vibrant, coastal blues and greens. These colors are not just decorative choices, but they anchor the space in its context.”

The use of local materials makes the interior harmonize with its surroundings.

The use of local materials makes the interior harmonize with its surroundings. (Laura Hammett)

Laura Hammett, founder of the eponymous architecture and design studio, also recommends “using botanical prints to create synergy with the outdoors, mimicking the patterns of nearby nature. In one project, we commissioned a custom wallpaper for a dining room that looked out onto the beautiful garden behind. All the flowers were specifically chosen to complement the view, and a few butterflies were added to give it movement and life.”

Hammett recently designed a beachfront penthouse in the Bahamas. Here, she eschewed cliché beach motifs and opted for colors and textures that subtly evoke seaside relaxation. “We kept the tones calm and neutral, and incorporated glass pendant lights and decorative elements that mimic the look of water, rather than incorporating ocean references with overt blues,” she says.

Alexander Shepel prefers to adopt a sober palette

Alexander Shepel prefers to adopt a sober palette (PASTOR')

Similarly, Alexander Shepel, co-founder of design studio and bespoke furniture manufacturing company SHEPEL', prefers to adopt a restrained colour palette. “When designing furniture for homes surrounded by lush greenery, I tend to use muted colours, such as warm creams. Pale tones act as a soft canvas that allows the eye to shine through,” he says.

Shepel also recommends opting for floor-to-ceiling windows whenever possible. These create unobstructed views and welcome an abundance of natural light, fostering an open, airy feel.

Philippa Thorp recommends using natural products found locally on the property.

Philippa Thorp recommends using natural products found locally on the property. (Thorn)

“Prioritise the use of natural products, such as marble and wood, that are found locally,” emphasises Philippa Thorp, founder and director of Thorp Design Studio. Not only does this create an aesthetically pleasing look, but it is also a more environmentally friendly choice. Local products require less transport, which reduces fuel consumption and carbon emissions.

Considering your material palette from scratch can be a good place to start. Take a look at Brintons, who recently launched their Purely Natural range. These rugs are woven from 100% undyed British wool, perfect for adding organic warmth to a design.

British wool is perfect for adding organic warmth to your feet.

British wool is perfect for adding organic warmth to your feet. (Brintons)

“Using materials from a different region can be visually jarring,” Thorp explains. “For example, I once designed a house in Devon and the builder wanted to use Spanish slate throughout, because it was cheaper than locally sourced slate. But the colour of the stone just didn’t fit the context of the house. It had a completely different tone and pattern to what you find in the west of the country.”

Following Williamson’s approach, she concludes: “Ideally, primary tones should be the same inside and outside the home, creating a strong sense of continuity.”

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